09.07.2014
Down the road from the Pantheon, in one of the narrow streets behind it,
I almost accidentally spotted a strange leftover. In the elevation of the street
I saw a tall and thick wall which clearly stood there since the Ancient Rome.
It was cutting the street elevation at two places, in fact being a
semi-circular structure. I could tell that it was not part of a city wall as it
was deep inside the centre of Rome and that it was probably a remain of a large
public building. I could not tell, however, what set of circumstances led to its
survival, while the rest is gone without a trace. The street came around it and
alienated a surviving vault of a Roman Bath.
I then realised, that was a wall of the Baths of Agrippa, a large civic
complex which the Pantheon was initially part of. The gigantic trace is also a reminder
of an infrastructural project built by Marcus Agrippa in 19 BC. The aqueduct
Aqua Virgo was supplying Rome with water and the baths were its civic extension, a
gift to the Roman public.
The baths of Agrippa were an important social hub taken care of by later
emperors and restored after the great fire of AD 80. In the seventh century their
dramatic transformation begins with abandonment of the baths – after the
structure fell into disrepair when Ostorogoths cut off the aqueduct water supply
of Rome in 530s.
The ruins were depicted by Baldassare Peruzzi
and Andrea Palladio in the XVI century and later further decomposed into urban fabric
of Rome through reuse of building material, with one ambiguous piece of
composition cast into the street of modern Rome.
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